'I
don't believe there is an ISLAND OF AVALON but I know where it
is'
(Part One)
(Part One)
Over
the years knowledge gained, spin spun, interpretations interpreted
yet, the debate rages as to the location of the mystical island of
Avalon that emanated from the Arthurian legends.
James
Bonwick, an Englishman, who moved to Australia, over a century ago
wrote the book, 'Irish Druids and the old Irish Religions'. (Still
available) He states, 'The Welsh Avalon, or the Island of Apples,
the everlasting source of the Elixir of Life, the home of Arthur and
other mythological heroes, lay beyond Cardigan Bay, the Annwn of the
old sun, in the direction of Ireland'. It is interesting to
note the references by Bonwick to Avalon, but, based on a reasonable
rationale, can his prognosis on the location of Avalon be believed?
If one wanted to prove the validity of this mysterious island 'beyond
Cardigan Bay' one could use Bonwick's observation as 'jolly good
evidence' but the evidential path that took Bonwick to his conclusion
is littered with assumptions.
I,
like most people, believes in facts. It
is fascinating to read works of esteemed, academic, professorial
researchers and authors who examine and attempt to 'prove' certain
facts from books written down centuries prior, then going into most
expansive of investigations, attempt to prove particular theories.
It is the case in point when dealing with Arthurian authors who look
at other authors in depth to prove points, even though their target
book is constructed a long time after the original subject. A police
detective always starts at the beginning of an enquiry, not a
convenient or more interesting place further along the interrogatory
trail.
The
investigation of course is to find out if an Island of Avalon ever
existed and if the evidence points to it's existence, where is it?
If the evidence reveals that it did not exist, or at least extremely
doubtful, then where did the original author get his ideas from?
Perhaps he had an island in mind, this we can look at also. To do
that we have to get into his mindset in the 12th century.
Not an easy task.
The
name Avalon is encountered in every corner of the modern world. The
name fronts companies as diverse as financial investments to
laundries, from entertainment centres to hotels, from record labels
to 'care homes'. It has a powerful resonance seemingly conjuring up
feelings of well-being, strength and trustworthiness.
For example many researchers disseminate 'Mort d'Arthur' by Mallory (1485ad) for clues to the original Arthurian legends hoping to rubber-stamp a particular theory or opinion. The book was written almost one thousand years after the alleged events, it is akin to one of us, even in today’s Information Technology era, writing and making up personal and complex stories of hero's and heroine's of the mid 11th century.
John Matthews who edited a superb compilation of Mallory's 'Mort d'Arthur' said this, 'Beginning with a few brief references in the early poetry of Wales, the burgeoning stories of Arthur developed into a tradition of courtly epics, composed by French 'conteurs' and 'trouveres' in the eleventh and twelfth centuries. These were followed in the thirteenth and fourteenth centuries by huge story cycles which built the character of Arthur into a figure of nobility and power, promoting him from an heroic pagan to a mighty Christian King'. (tbc)
For example many researchers disseminate 'Mort d'Arthur' by Mallory (1485ad) for clues to the original Arthurian legends hoping to rubber-stamp a particular theory or opinion. The book was written almost one thousand years after the alleged events, it is akin to one of us, even in today’s Information Technology era, writing and making up personal and complex stories of hero's and heroine's of the mid 11th century.
John Matthews who edited a superb compilation of Mallory's 'Mort d'Arthur' said this, 'Beginning with a few brief references in the early poetry of Wales, the burgeoning stories of Arthur developed into a tradition of courtly epics, composed by French 'conteurs' and 'trouveres' in the eleventh and twelfth centuries. These were followed in the thirteenth and fourteenth centuries by huge story cycles which built the character of Arthur into a figure of nobility and power, promoting him from an heroic pagan to a mighty Christian King'. (tbc)
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